But though she's got a wonderful analytical mind, her prose evades even a whiff of academic density. The long essay that (in three parts) forms the backbone of the collection, "Summer in Samarkand," details her experiences ostensibly learning Uzbek in that still-exotic city--it's a laugh-out-loud funny culture-shock story, a historical introduction to the complexities of Central Asia (as she learned later, "Uzbek" was not even a defined ethnicity or language until the Soviets decided it was in the early twentieth century), and a guide to a literary tradition largely unknown (and honestly somewhat nebulous) outside of the region. Her writing's lovely, witty, smart--even if you've never read a word of those daunting Russians, I highly recommend the book.
I also read, in the spirit of the season, a wee New Directions paperback edition of Gogol's novella, "The Night Before Christmas," a decidedly un-Moore-ish romp featuring the devil, guilty husbands hiding in sacks, and caroling for sausages. It's a fun, frisky folktale, and just cemented my opinion: Gogol is totes my favorite Russian writer!
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